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                  <text>These academic and educational works are texts that relate to the understanding and teaching of scientific knowledge. This includes subjects such as medicine, timekeeping, and healing. Many of these texts are books, while others are tablets or single manuscript leaves. Some of these works had the purpose of instructing and directing others on how to perform medicine and provide healing, while others are detailed calendars. The recording of text in the Byzantine era was very different from the current understanding of writing. Each of these pieces took a great deal of time, effort, and craftsmanship. </text>
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                  <text>Grace Luzcando</text>
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                <text>Collection of texts on the calendar</text>
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                <text>A compilatory manuscript filled with diagrams and notes on astrology and a few different calendars. There are multiple contributors to this collection spanning from the 7th to 15th century. It is written in Armenian Bolorgir script which contains both majuscule and minuscule lettering, that is, capital and lowercase letters. The cover is made of calf and is lined in a patterned fabric.</text>
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                <text>Anania Shirakatsʻi (685), Hovhannēs Vardapet (ca. 1045-1129), Grigor Skewṛatsʻi (12th c.) Hakob Ghrimetsʻi (14th c.) </text>
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                <text>LJS 443, Kislak Center, University of Pennsylvania Libraries</text>
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                <text>14th century</text>
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                <text>Jules Olszewski</text>
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                  <text>These academic and educational works are texts that relate to the understanding and teaching of scientific knowledge. This includes subjects such as medicine, timekeeping, and healing. Many of these texts are books, while others are tablets or single manuscript leaves. Some of these works had the purpose of instructing and directing others on how to perform medicine and provide healing, while others are detailed calendars. The recording of text in the Byzantine era was very different from the current understanding of writing. Each of these pieces took a great deal of time, effort, and craftsmanship. </text>
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                <text>Herbal in the tradition of Dioscorides</text>
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                <text>Herbal in the tradition of Dioscorides &#13;
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                <text>This 15th-century illuminated manuscript is very similar to Dioscorides of Anazarbus’ Late Antique pharmacology manuscript De Materia Medica, which became the standard manual on plants and their medicinal properties. The Herbal in the Tradition of Dioscorides is made up of 679 chapters, a prologue, table of contents, and 20 pages worth of illustrations, including images of 71 different plants. Each chapter covers a different plant along with their medicinal uses written in black ink. There are marginal notes by users, and evidence of binding restoration showing the usage and importance of this manuscript in the early modern world. &#13;
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                <text>Isabel Coopersmith </text>
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                <text>Kislak Center for Special Collections, Rare Books and Manuscripts, Universities of Pennsylvania Libraries </text>
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                <text>https://franklin.library.upenn.edu/catalog/FRANKLIN_9948546323503681</text>
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                <text> Ink and wash on paper ; 26.1 x 19 cm bound 26.8 x 20.2 cm&#13;
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                <text>LJS 62</text>
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                  <text>These academic and educational works are texts that relate to the understanding and teaching of scientific knowledge. This includes subjects such as medicine, timekeeping, and healing. Many of these texts are books, while others are tablets or single manuscript leaves. Some of these works had the purpose of instructing and directing others on how to perform medicine and provide healing, while others are detailed calendars. The recording of text in the Byzantine era was very different from the current understanding of writing. Each of these pieces took a great deal of time, effort, and craftsmanship. </text>
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                  <text>Grace Luzcando</text>
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                <text>Pros mathēmatikous (Against The Professors)</text>
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                <text>A manuscript covering the subject of education and state of learning</text>
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                <text>The Greek Orthodox Patriarch of Russia, Isidore of Kiev, copied the second century Pros mathēmatikous (Against the Professors) originally written by the Pyrrhonist and Empiric philosopher Sextus Empiricus. The manuscript critiques learning at the time and all of its standard curriculum such as rhetoric, geometry, music, physics, logic, and ethics, etc.. Pros mathēmatikous is written in a Greek minuscule script and has a twenty-seven long lined layout upon 269 folios. In its critique of standardized  knowledge acquisition. This manuscript embodies Sextus Empiricus' Pyrrhonian skepticism and suspension of judgment surrounding the degree of whether anything is truly knowable. &#13;
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                <text>Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania Libraries</text>
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                <text>Jules Olszewski</text>
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                <text>LJS 380</text>
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                  <text>Grace Luzcando</text>
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                <text>Manuscript of Paulus Aegineta Medical Compendium in Seven Books </text>
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                <text>This is a single leaf of a paper manuscript from a 15th-century copy of surgeon Paulus Aegineta’s Medical Compendium in Seven Books, a medical text that compiled what was written about Medicine at the time. Born in 625 AD, Paulus Aegineta was considered the father of early medical writing and the last great Byzantine physician. Here he copies a passage from Synopsis ad Eustathium by a predecessor Oribasius. At one point parchment made of animal skin was often used for manuscripts, but as many animals needed to be killed this was expensive. The transition to cheaper and more accessible allowed for more copies to be made of works like these that preserve these medical texts. </text>
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                <text>Eastern Mediterranean </text>
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                <text>Misc Mss Box 14 Folder 22 Miscellaneous manuscripts</text>
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                <text>Psalters are an important part of Christian liturgical services and are some of the most popular texts of the Middle ages. Psalters contain the Psalms that would have been used in church services, but also within Orthodox communities contained the Magnificant of the Virgin, a hymn that is sung during prayers. Psalters also served as weapons against demons and evil beings. They also were used as a pedagogical tool for reading comprehension in the Byzantine world, as they were commonly-found texts in homes and monasteries alike. </text>
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                <text>Natalie Green</text>
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                <text>https://www.metmuseum.org/art/collection/search/474236</text>
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                  <text>Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography.</text>
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                <text>A collection of six silver plates depicting the story of David and Goliath, utilizing scenes from the Old testament of the Bible. The plates were used for display in a noble person's house. Byzantine work, made in Constantinople, and found in Cyprus. Artist unknown. Gifted by J. Pierpont Morgan, 1971 and on display at the Metropolitan Museum of Art, NYC.</text>
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https://www.metmuseum.org/art/collection/search/464376&#13;
https://www.metmuseum.org/art/collection/search/464377&#13;
https://www.metmuseum.org/art/collection/search/464378&#13;
https://www.metmuseum.org/art/collection/search/464379&#13;
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                  <text>&lt;span&gt;In the world of Byzantine art, jewelry and personal adornment played an important role in visual culture. The objects presented in this gallery, despite having common themes of devotion or protection, emphasize the wide variety of uses for jewelry in the Byzantine era — for instance, among the rings in this collection there is a wide variety of utilities; while adornment was typically a show of wealth and power, the ways in which individual objects were used still vary — from a marriage ring to a curse ring to a ring of devotion. Each of these&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span&gt; and all the pieces presented here&lt;/span&gt;&lt;span&gt;,&lt;/span&gt;&lt;span&gt; hold a unique story and show the power of Byzantine jewelry in the role of self-presentation.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Marriage Ring</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>A couple, with Christ</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41">
                <text>This ring, made of gold, is from the early Byzantine period and is believed to have been used to signify and protect a marriage. It shows Christ, centered, joining the hands of the two parties flanking him in an engraving of niello, which is a black powder or paste mixture of metals and sulfur. Christ joining their hands in Dextrarum Iunctio, ‘the union of the right’, the joining of the right hands of two parties, represents a divine endorsement of the marital bond between the wearer and their partner.</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="42">
                <text>Dumbarton Oaks</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43">
                <text>650-750 CE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44">
                <text>Luke Pelcher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45">
                <text>Dumbarton Oaks</text>
              </elementText>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="46">
                <text>http://museum.doaks.org/objects-1/info/36706</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47">
                <text>Gold with niello; 2.1 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Ring</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49">
                <text>BZ.1961.3</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="325">
                  <text>Beth Shean</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="326">
                  <text>Archeological Dig Site</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The archaeological dig at Beth Shean (ancient Scythopolis), modern-day Israel, opened the doors to three millennia of material culture, including the Byzantine period. Beth Shean is remarkable in that its archeological record exists from as early as the 6th millennium BCE, including significant activity in the Late Bronze Age (approx. 1100 BCE). It later resurfaced in the Hellenistic Period, and was a pivotal city during the 4th and 5th centuries CE. During the Byzantine period of 330—638 CE, the city underwent many religious and political changes, including the introduction of Christianity in the fourth century and later the arrival of Islam in the seventh. It fell to an earthquake in 749 CE and would rest relatively untouched until the excavation of the Tel by the Penn Museum in the 1920s. &#13;
&#13;
In this gallery, objects from this excavation are presented in their archeological context. Seen below are a variety of materials, ranging from glass to ceramic to coins as well as domestic items. These objects represent the full geography of Beth Shean, including monastic contexts, funerary sites, and the home. All of these works come from different archeological layers.</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="328">
                  <text>University of Pennsylvania Museum of Archaeology and Anthropology</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="329">
                  <text>Natalie Green</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="330">
                  <text>https://www.penn.museum/sites/expedition/beth-shean-revisited/&#13;
https://beth-shean.squarespace.com/</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="50">
                <text>Mother and Child Figurine</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>A mother and child</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="52">
                <text>This figure, excavated from a mass grave at Beth Shean in the 1920s, is fashioned from terracotta, adorned with a red wash, and depicts a woman carrying, presumably, her own child upon her left shoulder. The figurine appears to have been created from a mold, as each side shares the same design, is hollow, and has a visible seam along its sides. There are no visible religious connotations in the figurine, and it most likely was used as an offering to the deceased, as a device in funerary practice, or simply was a possession of the departed.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="53">
                <text>Beth Shean, Israel, Cemetery North II, 105/3, Glass G</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="54">
                <text>University of Pennsylvania Museum of Archaeology and Anthropology</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="55">
                <text>Late 5th century CE (?)</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="56">
                <text>Hannah Mackey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57">
                <text>University of Pennsylvania Museum of Archaeology and Anthropology</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="58">
                <text>https://www.penn.museum/collections/object/104154</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="59">
                <text>Ceramic; 14.2 x 3 x 6.1 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60">
                <text>Figurine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="61">
                <text>29-103-936</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="6">
        <name>Beth Shean</name>
      </tag>
    </tagContainer>
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  <item itemId="8" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="359">
                  <text>Art of Devotion </text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="360">
                  <text>Christina Ball </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="415">
                  <text>Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography.</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62">
                <text>The Fieschi Morgan Staurotheke </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64">
                <text>The Fieschi Morgan Staurotheke is a Byzantine reliquary which most likely would have been used to carry fragments of the True Cross as well as other Christian relics. Its name is derived from its past owner, Pope Innocent IV (Sinibaldo Fieschi) as well as his family. The staurotheke, consisting of cloisonné enamel on the exterior and the use of niello on the underside of its lid, portrays Christian images. On the staurotheke’s surface, there is an image of the Crucifixion, different saints, as well as four scenes from the life of Christ: The Annunciation, the Nativity, a second Crucifixion, and the Anastasis.  </text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="65">
                <text>The Metropolitan Museum of Art </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66">
                <text>early 9th century CE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="67">
                <text>The Metropolitan Museum of Art </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="68">
                <text>https://www.metmuseum.org/art/collection/search/472562</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="69">
                <text>Gilded silver, gold, enamel worked in cloisonné, and niello&#13;
Overall (with lid): 1 1/16 x 4 1/16 x 2 13/16 in. (2.7 x 10.3 x 7.1 cm)&#13;
lid only: 2 13/16 x 3 7/8 x 1/8 in. (7.1 x 9.8 x 0.3 cm)&#13;
vessel only: 7/8 x 2 15/16 x 4 in. (2.2 x 7.5 x 10.1 cm)</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="70">
                <text>17.190.715a, b</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="84">
                <text>Staurotheke</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="226">
                <text>Asher Riley</text>
              </elementText>
            </elementTextContainer>
          </element>
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