2 10 32 https://byzantinephilly.lcdss.reclaim.hosting/files/original/62cd4971224a167e7da1390742fc9f79.jpeg 4a8b70c4886bbdd29941383f1e5bbea6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Base with Christ Giving Martyrs' Crowns to Saints Peter and Paul Subject The topic of the resource Saints Peter and Paul; Christ Description An account of the resource This glass bowl base is made with gold foil sandwiched between two fused layers of glass to create what is commonly known as a gold-glass medallion. This medallion illustrates saints Peter and Paul, notably beardless, sitting in the foreground, while Christ, who is also beardless, stands in the background crowning each apostle. The Latin inscriptions read: “joyful in Christ, worthy of friends” and “Peter, Paul”. These hint to the medallion’s Roman provenance. This medallion was likely created in celebration of the feast day of saints Peter and Paul, and museum records indicate that it was discovered in an unknown catacomb. Source A related resource from which the described resource is derived Rome Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 350 CE Contributor An entity responsible for making contributions to the resource Hannah Mackey Rights Information about rights held in and over the resource The Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/463547?od=on&ft=byzantine&offset=280&rpp=40&pos=315 Format The file format, physical medium, or dimensions of the resource Glass, gold leaf; 13.8 x 12.5 x 5 cm (overall); 9.5 x 0.3 cm (medallion only) Language A language of the resource Latin Type The nature or genre of the resource Gold-glass medallion/bowl base Identifier An unambiguous reference to the resource within a given context 11.91.4 Roman https://byzantinephilly.lcdss.reclaim.hosting/files/original/97be70bab430d56ca68623ab60228fcf.jpeg 38628ceed1eb6a5dea0eaefe74c9e073 https://byzantinephilly.lcdss.reclaim.hosting/files/original/f542502f7e55688ae2ade5ce7a49d1b4.jpeg bd56e5d6ac8755598324572b41d5af37 https://byzantinephilly.lcdss.reclaim.hosting/files/original/882e6a8a2328cd4bb8495dc5aaa79bec.jpeg 36c4eda03470e6d67d614ef36e2b9db6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanging Lamp with Hand Holding a Cross Description An account of the resource This hanging oil lamp chandelier was meant as an offering for a cure or remedy, possibly taken out only when a halt to sickness was needed. Originally it was not meant to be hung and was probably mounted on a stake or rod of some kind instead. When the hole was drilled to turn it into a hanging lamp, part of the Virgin’s face was destroyed. Along with the Virgin and child, other figures include Saints Peter, Paul, and Stephen. The two components of the branches connected to the hand and cross were not originally attached. Many alterations have been made over the years, for instance, one of the arms that holds the oil vessels is a modern replica. Source A related resource from which the described resource is derived Eastern Mediterranean Contributor An entity responsible for making contributions to the resource Grace Luzcando Rights Information about rights held in and over the resource Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/471990 Format The file format, physical medium, or dimensions of the resource Dimensions: 35 x 41.3 cm Medium: Copper alloy Type The nature or genre of the resource Lamp Identifier An unambiguous reference to the resource within a given context 1974.150 Date A point or period of time associated with an event in the lifecycle of the resource 500–700 CE, restored in 20th century Language A language of the resource Greek Subject The topic of the resource Hand Holding a Cross, Virgin, Christ, Saint Peter, Paul, Stephen https://byzantinephilly.lcdss.reclaim.hosting/files/original/68b6ce644912b74f758de4ef1f9f447c.jpg 432172814400bdecb4ec3a875c600c1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Adornment Contributor An entity responsible for making contributions to the resource Luke Pelcher Description An account of the resource In the world of Byzantine art, jewelry and personal adornment played an important role in visual culture. The objects presented in this gallery, despite having common themes of devotion or protection, emphasize the wide variety of uses for jewelry in the Byzantine era — for instance, among the rings in this collection there is a wide variety of utilities; while adornment was typically a show of wealth and power, the ways in which individual objects were used still vary — from a marriage ring to a curse ring to a ring of devotion. Each of these, and all the pieces presented here, hold a unique story and show the power of Byzantine jewelry in the role of self-presentation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bracelet with Bust of Roma Subject The topic of the resource Roma, or Athena Description An account of the resource A personification, Roma or possibly Athena, is depicted on this bracelet made of gold. No matter her identity, the presence of a goddess on jewelry in the fifth century shows the continuing impact of pagan culture on the Byzantine world of late antiquity. The woman is depicted alone, emphasizing her importance. She is adorned with a necklace of teardrop pendants, beaded earrings, and a four-cornered cap. The stippled background behind her extends to a beaded outer layer of the medallion. The medallion connects to the hoop of twisted gold wire by way of hinges, which would allow the object to be worn. Source A related resource from which the described resource is derived Rome Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 500-550 CE Contributor An entity responsible for making contributions to the resource Luke Pelcher Rights Information about rights held in and over the resource The Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/464164 Format The file format, physical medium, or dimensions of the resource Gold, Overall: 4.2 x 5.5 x 6.9 x 4.4 cm Bezel: 4.2 x 0.6 cm Braided Wire: 14.5 x 0.5 x 0.8 cm Type The nature or genre of the resource Bracelet Identifier An unambiguous reference to the resource within a given context 17.190.2053 https://byzantinephilly.lcdss.reclaim.hosting/files/original/b5cbeccc42256c5f62bc0bb13846fe06.jpg c97b8a178ff94f265000bbb31a682424 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Household Items Description An account of the resource In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium. Contributor An entity responsible for making contributions to the resource Emily Feyrer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Warrior from a Rosette Casket Subject The topic of the resource Warrior Description An account of the resource This ivory fragment is thick and conical, due to the natural curve of the elephant tusk from which it is carved. The high relief creates extreme shadows and contrast between the warrior and the background. Although the ivory is worn, the warrior’s dignified pose is still very evident as he holds his spear and shield, as well the material’s natural sheen. The fragment we see is only a small part of a larger work known as a rosette casket – a highly decorative carved box used to secure household valuables – that would have been created exclusively by a skilled craftsman working on commission for a member of the upper-class. Publisher An entity responsible for making the resource available The Dumbarton Oaks Research Library and Collection Date A point or period of time associated with an event in the lifecycle of the resource 10th century CE Contributor An entity responsible for making contributions to the resource Hannah Mackey Rights Information about rights held in and over the resource The Dumbarton Oaks Research Library and Collection Relation A related resource http://museum.doaks.org/objects-1/info/35737 Format The file format, physical medium, or dimensions of the resource Ivory; 5 x 4.1 cm Type The nature or genre of the resource Fragment from a rosette casket Identifier An unambiguous reference to the resource within a given context BZ.1952.11 Ivory https://byzantinephilly.lcdss.reclaim.hosting/files/original/075a5ed1a63d5e9ee18ed135342b990e.jpg f88ee719ff275eee78b0fdcdf7cf2622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Academic Texts Description An account of the resource These academic and educational works are texts that relate to the understanding and teaching of scientific knowledge. This includes subjects such as medicine, timekeeping, and healing. Many of these texts are books, while others are tablets or single manuscript leaves. Some of these works had the purpose of instructing and directing others on how to perform medicine and provide healing, while others are detailed calendars. The recording of text in the Byzantine era was very different from the current understanding of writing. Each of these pieces took a great deal of time, effort, and craftsmanship. Contributor An entity responsible for making contributions to the resource Grace Luzcando Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mathematical Tables Description An account of the resource The mathematical tables pictured here are most likely from a Christian community and school in Fayyum, Egypt during the 6th or 7th century. The numbers are written in Greek, demonstrating that a student was practicing his or her division tables. The material is a board of wood that has been covered by a coat of gesso. The numbers are written in five columns horizontally across the board, and there are holes made in the top of the board which signal that this would have been put together with other pieces of wood as an early type of notebook. Publisher An entity responsible for making the resource available Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania Libraries Date A point or period of time associated with an event in the lifecycle of the resource 500-699 CE Rights Information about rights held in and over the resource Kislak Center, Penn Libraries Relation A related resource https://openn.library.upenn.edu/Data/0001/html/ljs228.html Format The file format, physical medium, or dimensions of the resource 1 board fragment : 95 x 390 mm Language A language of the resource Greek Type The nature or genre of the resource wooden board Identifier An unambiguous reference to the resource within a given context Oversize LJS 228 Contributor An entity responsible for making contributions to the resource Asher Riley https://byzantinephilly.lcdss.reclaim.hosting/files/original/04fc4e5fe47323807e89a1a610f3b0ac.jpg 8d8ff7359af4e943def11da88eca5a90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Icon with the Crucifixion Subject The topic of the resource Christ being crucified with the Virgin Mary, John the Evangelist, Three soldiers, and Hades Description An account of the resource This ivory scene of the Crucifixion has Jesus being crucified as the center piece. On his left is his mother Mary and on the right is Saint John the Evangelist. Under his feet are three soldiers casting lots for Christ’s cloak. Below the soldiers the Cross pierces Hades’ torso. Above, an elaborately delicately carved canopy frames the scene. The small size of this ivory suggests that it was used in the context of private devotion. Source A related resource from which the described resource is derived Constantinople Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource Mid 10th Century Contributor An entity responsible for making contributions to the resource Christina Ball Rights Information about rights held in and over the resource Art of Devotion Format The file format, physical medium, or dimensions of the resource Ivory (15.1 × 8.9 × 0.8 cm) Type The nature or genre of the resource Icon Identifier An unambiguous reference to the resource within a given context 17.190.44 Relation A related resource https://www.metmuseum.org/art/collection/search/464428 https://byzantinephilly.lcdss.reclaim.hosting/files/original/2dc62ab97ba6e2bbe94ec71bf5314ef7.jpeg 8a512818ec0a6b64b3414a1ddd51fcca https://byzantinephilly.lcdss.reclaim.hosting/files/original/1f7c5d12cb6777d5364931481b22545b.jpeg 65f529775ecefbb3c5c4a0c7a76b5c02 https://byzantinephilly.lcdss.reclaim.hosting/files/original/97df1252764dbb828bdf2aded3a2e3e0.jpg 29a2da0ffd5d0a4502965a8336527a47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Adornment Contributor An entity responsible for making contributions to the resource Luke Pelcher Description An account of the resource In the world of Byzantine art, jewelry and personal adornment played an important role in visual culture. The objects presented in this gallery, despite having common themes of devotion or protection, emphasize the wide variety of uses for jewelry in the Byzantine era — for instance, among the rings in this collection there is a wide variety of utilities; while adornment was typically a show of wealth and power, the ways in which individual objects were used still vary — from a marriage ring to a curse ring to a ring of devotion. Each of these, and all the pieces presented here, hold a unique story and show the power of Byzantine jewelry in the role of self-presentation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pair of Kolti with Sirens Subject The topic of the resource Sirens with geometric motifs Publisher An entity responsible for making the resource available Dumbarton Oaks Research Library and Collection Date A point or period of time associated with an event in the lifecycle of the resource 850-1204 CE Contributor An entity responsible for making contributions to the resource Emily Feyrer Rights Information about rights held in and over the resource Dumbarton Oaks Research Library and Collection Relation A related resource http://museum.doaks.org/objects-1/info/23137 Format The file format, physical medium, or dimensions of the resource Gold casts with enamel motifs Type The nature or genre of the resource Jewelry Identifier An unambiguous reference to the resource within a given context BZ.1999.13.a-b Description An account of the resource This pair of Kolti were hollow pendants to allow for perfume to waft from the wearer. They were hung over the heads and attached to strings of pearls on nobles in Byzantium. Made to look symmetrical, koltis were intended to hang on both sides of the wearer’s face. Engraved in the gold are enamel icons of sirens on one side, and colorful geometric patterns on the other. The gold would have sparkled in the light, bringing attention to anyone adorned. Made during the middle Byzantine period, Artist unknown. In the collections at Dumbarton Oaks. https://byzantinephilly.lcdss.reclaim.hosting/files/original/a6a0fe6965c433aa599a0c4779881682.jpeg 34bd287a47f53dcb5cd09bb5abb3ac5b https://byzantinephilly.lcdss.reclaim.hosting/files/original/86244e6a60f7f851ce7c5626f2897de7.jpeg c994a01b561053b5887e3b729d07736a https://byzantinephilly.lcdss.reclaim.hosting/files/original/5d6ee1a0b08af8ea03920678d650c2d2.jpeg 3b7064280028d2f975918e8c873d9e2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Capital with Bust of the Archangel Michael Subject The topic of the resource Archangel Michael Description An account of the resource This marble capital features the Archangel Michael holding a scepter and orb. The winged angel can be identified by inscription on the left side of the abacus (the upper portion of the capital). The sharp edges indicate it was probably found in the corner of a church interior. Michael is also dressed in the clothes of the Emperor, consisting of the divetesion (tunic) and himation (cloak) as well as raised details suggestive of the jewels and pearls of imperial dress. This was an effective way to associate the Emperor with important holy religious figures. Similar sculptures have been found in Constantinople dating around the twelfth or thirteenth century. Source A related resource from which the described resource is derived Eastern Mediterranean Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 1250-1300 CE Contributor An entity responsible for making contributions to the resource Grace Luzcando Rights Information about rights held in and over the resource Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/466108 Format The file format, physical medium, or dimensions of the resource Marble, 25.4 x 17.1 x 10.6 cm Language A language of the resource Greek Type The nature or genre of the resource Capital Bust Identifier An unambiguous reference to the resource within a given context 1983.167 https://byzantinephilly.lcdss.reclaim.hosting/files/original/4544263463eb342d3455d2f0535e2e9f.jpg ae91ecf72ddf9a1ce4df490af700ec4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Household Items Description An account of the resource In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium. Contributor An entity responsible for making contributions to the resource Emily Feyrer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fragment of a Hanging with Two Figures in Arcades Subject The topic of the resource Two Figures in Arcades Description An account of the resource This textile furnishing was found in Egypt in a burial context, alongside many other tapestry fragments. Originally used as a wall hanging, this piece was likely manufactured in a workshop where textiles of a similar nature were made. It was repurposed as a burial shroud after its initial construction. As there are two different colors in the warp (or weaving), this work demonstrates high-quality craftsmanship through its illusionistic play of light and shadow. The two figures are dressed in traditional Persian-style garments and the architecture shown in the piece acts as a frame for the two figures as they carry fruits and objects, personifying the earth and its abundance. There are many missing details due to time but there is evidence of ancient repair. Publisher An entity responsible for making the resource available The Dumbarton Oaks Research Library and Collection Date A point or period of time associated with an event in the lifecycle of the resource 4th-6th century CE Contributor An entity responsible for making contributions to the resource Isabel Coopersmith Rights Information about rights held in and over the resource The Dumbarton Oaks Research Library and Collection Relation A related resource http://museum.doaks.org/objects-1/info?query=mfs%20any%20%22BZ.1970.43%22&sort=9 Format The file format, physical medium, or dimensions of the resource Tapestry weave in polychrome wool; 42.5 cm x 635 cm Type The nature or genre of the resource Textile Wall Hanging Identifier An unambiguous reference to the resource within a given context BZ.1970.43 Household Textile https://byzantinephilly.lcdss.reclaim.hosting/files/original/474a444087ceea4ee850c7b13fce6abb.jpg 549a68b113fcfb3e97f301b4630fd51b https://byzantinephilly.lcdss.reclaim.hosting/files/original/4ed2366e993367bbf8c7593f8cf4f6c8.jpg 549a68b113fcfb3e97f301b4630fd51b https://byzantinephilly.lcdss.reclaim.hosting/files/original/13756b066a7adecd91085c24b78e428f.jpg 549a68b113fcfb3e97f301b4630fd51b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Personal Adornment Contributor An entity responsible for making contributions to the resource Luke Pelcher Description An account of the resource In the world of Byzantine art, jewelry and personal adornment played an important role in visual culture. The objects presented in this gallery, despite having common themes of devotion or protection, emphasize the wide variety of uses for jewelry in the Byzantine era — for instance, among the rings in this collection there is a wide variety of utilities; while adornment was typically a show of wealth and power, the ways in which individual objects were used still vary — from a marriage ring to a curse ring to a ring of devotion. Each of these, and all the pieces presented here, hold a unique story and show the power of Byzantine jewelry in the role of self-presentation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Nicholas Ring Subject The topic of the resource St. Nicholas Description An account of the resource This ring of St. Nicholas was most likely created during the 13th century, and it was created in a way to make it look like it was the gemstone jasper. This ring came to the museum along with many others as part of a gemstone collection that previously belonged to Maxwell Sommerville. It is believed that this ring was purchased under the impression that it was made from Jasper rather than enamel. Red glass paste was used to create the cameo of the icon of St. Nicholas, where it was set in gild. St. Nicholas is identified by the inscription surrounding his image. Publisher An entity responsible for making the resource available University of Pennsylvania Museum of Archaeology and Anthropology Date A point or period of time associated with an event in the lifecycle of the resource 13th century CE Contributor An entity responsible for making contributions to the resource Asher Riley Rights Information about rights held in and over the resource University of Pennsylvania Museum of Archaeology and Anthropology Relation A related resource https://www.penn.museum/collections/object/232707 Language A language of the resource Greek Type The nature or genre of the resource Ring Identifier An unambiguous reference to the resource within a given context 29-128-2277