1 10 7 https://byzantinephilly.lcdss.reclaim.hosting/files/original/62cd4971224a167e7da1390742fc9f79.jpeg 4a8b70c4886bbdd29941383f1e5bbea6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Base with Christ Giving Martyrs' Crowns to Saints Peter and Paul Subject The topic of the resource Saints Peter and Paul; Christ Description An account of the resource This glass bowl base is made with gold foil sandwiched between two fused layers of glass to create what is commonly known as a gold-glass medallion. This medallion illustrates saints Peter and Paul, notably beardless, sitting in the foreground, while Christ, who is also beardless, stands in the background crowning each apostle. The Latin inscriptions read: “joyful in Christ, worthy of friends” and “Peter, Paul”. These hint to the medallion’s Roman provenance. This medallion was likely created in celebration of the feast day of saints Peter and Paul, and museum records indicate that it was discovered in an unknown catacomb. Source A related resource from which the described resource is derived Rome Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 350 CE Contributor An entity responsible for making contributions to the resource Hannah Mackey Rights Information about rights held in and over the resource The Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/463547?od=on&ft=byzantine&offset=280&rpp=40&pos=315 Format The file format, physical medium, or dimensions of the resource Glass, gold leaf; 13.8 x 12.5 x 5 cm (overall); 9.5 x 0.3 cm (medallion only) Language A language of the resource Latin Type The nature or genre of the resource Gold-glass medallion/bowl base Identifier An unambiguous reference to the resource within a given context 11.91.4 Roman https://byzantinephilly.lcdss.reclaim.hosting/files/original/a6a0fe6965c433aa599a0c4779881682.jpeg 34bd287a47f53dcb5cd09bb5abb3ac5b https://byzantinephilly.lcdss.reclaim.hosting/files/original/86244e6a60f7f851ce7c5626f2897de7.jpeg c994a01b561053b5887e3b729d07736a https://byzantinephilly.lcdss.reclaim.hosting/files/original/5d6ee1a0b08af8ea03920678d650c2d2.jpeg 3b7064280028d2f975918e8c873d9e2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Capital with Bust of the Archangel Michael Subject The topic of the resource Archangel Michael Description An account of the resource This marble capital features the Archangel Michael holding a scepter and orb. The winged angel can be identified by inscription on the left side of the abacus (the upper portion of the capital). The sharp edges indicate it was probably found in the corner of a church interior. Michael is also dressed in the clothes of the Emperor, consisting of the divetesion (tunic) and himation (cloak) as well as raised details suggestive of the jewels and pearls of imperial dress. This was an effective way to associate the Emperor with important holy religious figures. Similar sculptures have been found in Constantinople dating around the twelfth or thirteenth century. Source A related resource from which the described resource is derived Eastern Mediterranean Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 1250-1300 CE  Contributor An entity responsible for making contributions to the resource Grace Luzcando Rights Information about rights held in and over the resource Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/466108 Format The file format, physical medium, or dimensions of the resource Marble, 25.4 x 17.1 x 10.6 cm Language A language of the resource Greek Type The nature or genre of the resource Capital Bust Identifier An unambiguous reference to the resource within a given context 1983.167 https://byzantinephilly.lcdss.reclaim.hosting/files/original/97be70bab430d56ca68623ab60228fcf.jpeg 38628ceed1eb6a5dea0eaefe74c9e073 https://byzantinephilly.lcdss.reclaim.hosting/files/original/f542502f7e55688ae2ade5ce7a49d1b4.jpeg bd56e5d6ac8755598324572b41d5af37 https://byzantinephilly.lcdss.reclaim.hosting/files/original/882e6a8a2328cd4bb8495dc5aaa79bec.jpeg 36c4eda03470e6d67d614ef36e2b9db6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanging Lamp with Hand Holding a Cross Description An account of the resource This hanging oil lamp chandelier was meant as an offering for a cure or remedy, possibly taken out only when a halt to sickness was needed. Originally it was not meant to be hung and was probably mounted on a stake or rod of some kind instead. When the hole was drilled to turn it into a hanging lamp, part of the Virgin’s face was destroyed. Along with the Virgin and child, other figures include Saints Peter, Paul, and Stephen. The two components of the branches connected to the hand and cross were not originally attached. Many alterations have been made over the years, for instance, one of the arms that holds the oil vessels is a modern replica. Source A related resource from which the described resource is derived Eastern Mediterranean Contributor An entity responsible for making contributions to the resource Grace Luzcando Rights Information about rights held in and over the resource Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/471990 Format The file format, physical medium, or dimensions of the resource Dimensions: 35 x 41.3 cm Medium: Copper alloy Type The nature or genre of the resource Lamp Identifier An unambiguous reference to the resource within a given context 1974.150 Date A point or period of time associated with an event in the lifecycle of the resource 500–700 CE, restored in 20th century Language A language of the resource Greek Subject The topic of the resource Hand Holding a Cross, Virgin, Christ, Saint Peter, Paul, Stephen https://byzantinephilly.lcdss.reclaim.hosting/files/original/04fc4e5fe47323807e89a1a610f3b0ac.jpg 8d8ff7359af4e943def11da88eca5a90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Icon with the Crucifixion Subject The topic of the resource Christ being crucified with the Virgin Mary, John the Evangelist, Three soldiers, and Hades Description An account of the resource This ivory scene of the Crucifixion has Jesus being crucified as the center piece. On his left is his mother Mary and on the right is Saint John the Evangelist. Under his feet are three soldiers casting lots for Christ’s cloak. Below the soldiers the Cross pierces Hades’ torso. Above, an elaborately delicately carved canopy frames the scene. The small size of this ivory suggests that it was used in the context of private devotion. Source A related resource from which the described resource is derived Constantinople Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource Mid 10th Century Contributor An entity responsible for making contributions to the resource Christina Ball Rights Information about rights held in and over the resource Art of Devotion Format The file format, physical medium, or dimensions of the resource Ivory (15.1 × 8.9 × 0.8 cm) Type The nature or genre of the resource Icon Identifier An unambiguous reference to the resource within a given context 17.190.44 Relation A related resource https://www.metmuseum.org/art/collection/search/464428 https://byzantinephilly.lcdss.reclaim.hosting/files/original/e09f1ce13130bd894fcf1b50dee14e47.jpg 14360a0e8db93b47888ffce2520c317b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marble Plaque for Donation to a Temple Subject The topic of the resource Plaque Description An account of the resource Inscription: [θε]οῦ προνoίᾳ Ε̣[ὕρε= το?]ς πρεσβύ(τερος) κὲ ἔποικος μετὰ τῆς συβίου κὲ τέκν= ων μου ἀνενέωσα τὸ πρόναον τοῦ ἁγιάσ= ματος ἐκ τῶν δωρε= ῶν τοῦ θεοῦ. וארטאס עשה תפּלות שלום Translation: (Greek) Through the providence of God, I, E[uretu]s(?), Elder and Trustee, with my wife and children, renovated the forecourt of the temple with the gifts of god. (Hebrew) Euretus made house of prayer, peace. This marble plaque most likely served as a dedication to the patron who helped fund the renovation of synagogue forecourt. The Greek inscription indicates who made the donation and the purpose for said donation. The Hebrew text further praises him for helping to create a house of prayer. Further, below the lines of text, we are presented with Judaic symbols that hold significance to multiple Jewish holidays. This might indicate that the donation was made around the time of a Jewish holiday or as a gift to the temple for one of the holidays. Regardless of its origin or meaning, this plaque serves as an important piece of work that gives insight to ancient Judaic culture of antiquity. Source A related resource from which the described resource is derived The Judy and Michael Steinhardt Collection Publisher An entity responsible for making the resource available Austin Cooper Date A point or period of time associated with an event in the lifecycle of the resource 4th - 6th Century Contributor An entity responsible for making contributions to the resource Austin Cooper Rights Information about rights held in and over the resource The Judy and Michael Steinhardt Collection Relation A related resource https://usepigraphy.brown.edu/projects/usep/inscription/NY.NY.MMA.GH.L.2000.74.2/ Format The file format, physical medium, or dimensions of the resource Marble ; 15.98cm 15.74cm x 0.96cm Language A language of the resource Greek and Hebrew Type The nature or genre of the resource Plaque Identifier An unambiguous reference to the resource within a given context 2000.74.2 https://byzantinephilly.lcdss.reclaim.hosting/files/original/5dd5f8771d7fab7b64049d91f5aa890c.jpeg 05c73d4ae75cea7843beb7808b1009d4 https://byzantinephilly.lcdss.reclaim.hosting/files/original/1f257e7d50cb82dafeed27859a08c697.jpeg 9e9655635dd12c618ede465e2047230c https://byzantinephilly.lcdss.reclaim.hosting/files/original/fa0ba8bb4dfb773d2ea0bb4411a109ac.jpeg 5d7a9b16feac251a8c73e95341ebc1b0 https://byzantinephilly.lcdss.reclaim.hosting/files/original/56b9cdd0042ca7bb8e9e0eac971c5a13.jpeg fe531afa9183bacacdbabf1f02f16908 https://byzantinephilly.lcdss.reclaim.hosting/files/original/d8ac762108e5fe341dbba5b8ec37366f.jpeg 7cec639f7670a3220b4838ec7e877e66 https://byzantinephilly.lcdss.reclaim.hosting/files/original/6d74322f4c51aac2c50e79134a5b3ae6.jpeg 253695ef02950ff09150fc380c85752b https://byzantinephilly.lcdss.reclaim.hosting/files/original/75db1a1b93f958a309c10bc24b3f190e.jpeg 0a97b4aec944daa3d9294518ebab0382 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Six Silver Plates with Scenes from the Early Life of David Subject The topic of the resource Scenes from the early life of David Description An account of the resource A collection of six silver plates depicting the story of David and Goliath, utilizing scenes from the Old testament of the Bible. The plates were used for display in a noble person's house. Byzantine work, made in Constantinople, and found in Cyprus. Artist unknown. Gifted by J. Pierpont Morgan, 1971 and on display at the Metropolitan Museum of Art, NYC. Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 629-630 CE Contributor An entity responsible for making contributions to the resource Emily Feyrer Rights Information about rights held in and over the resource The Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/464375 https://www.metmuseum.org/art/collection/search/464376 https://www.metmuseum.org/art/collection/search/464377 https://www.metmuseum.org/art/collection/search/464378 https://www.metmuseum.org/art/collection/search/464379 https://www.metmuseum.org/art/collection/search/464380 Format The file format, physical medium, or dimensions of the resource Cast and engraved silver Type The nature or genre of the resource Plates Identifier An unambiguous reference to the resource within a given context 17.190.394-.399 https://byzantinephilly.lcdss.reclaim.hosting/files/original/c99cb3cbc190389c936fd0a86d4a3794.jpg ef2a1805b93dec71bfe596ba6bd53d5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Devotion Contributor An entity responsible for making contributions to the resource Christina Ball Description An account of the resource Religion in Late Antiquity was marked by religious pluralism. Although the Byzantine Empire's official religion was Orthodox Christianity, art sometimes called upon non-Christian forms, and visual culture of multiple faith traditions existed. For example, when images of Christ or the apostles were depicted, sometimes they were figured in the form of Greek or Roman gods, or accompanied with pagan-derived personifications of geographic locations or ideas such as Death. Religious ideas from Byzantium spread to and are evident in a wide range of geographies, like Kyivian Rus' or late medieval Italy. Byzantine art of devotion mostly comprises Christian themes from Orthodox Christianity. Therefore, religious themes are seen even in personal items not used in the Church. Some of these include capitals adorned by angels; six silver plates that tell the story of the Life of David and his slaying of Goliath; and a Bowl Base with Christ Giving Martyrs’ Crowns to Saints Peter and Paul. Additional objects, such as a Dedication Plaque to a Jewish Temple and a a figural sculpture of Dionysius, demonstrate different religious traditions of Late Antiquity. While the contexts of these works vary, all of them engage with religious iconography. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fieschi Morgan Staurotheke Description An account of the resource The Fieschi Morgan Staurotheke is a Byzantine reliquary which most likely would have been used to carry fragments of the True Cross as well as other Christian relics. Its name is derived from its past owner, Pope Innocent IV (Sinibaldo Fieschi) as well as his family. The staurotheke, consisting of cloisonné enamel on the exterior and the use of niello on the underside of its lid, portrays Christian images. On the staurotheke’s surface, there is an image of the Crucifixion, different saints, as well as four scenes from the life of Christ: The Annunciation, the Nativity, a second Crucifixion, and the Anastasis. Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource early 9th century CE Rights Information about rights held in and over the resource The Metropolitan Museum of Art Relation A related resource https://www.metmuseum.org/art/collection/search/472562 Format The file format, physical medium, or dimensions of the resource Gilded silver, gold, enamel worked in cloisonné, and niello Overall (with lid): 1 1/16 x 4 1/16 x 2 13/16 in. (2.7 x 10.3 x 7.1 cm) lid only: 2 13/16 x 3 7/8 x 1/8 in. (7.1 x 9.8 x 0.3 cm) vessel only: 7/8 x 2 15/16 x 4 in. (2.2 x 7.5 x 10.1 cm) Identifier An unambiguous reference to the resource within a given context 17.190.715a, b Type The nature or genre of the resource Staurotheke Contributor An entity responsible for making contributions to the resource Asher Riley