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                  <text>In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium.</text>
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                <text>This ewer, or a washing vessel, was typically used in either a domestic or liturgical setting.  The setting in which the ewer was used is currently unknown considering the figural elements.  Drawing from either the secular or religion world, it contains both mythical and realistic animals as well as several unknown human figures. The unknown artist utilizes the sgraffito and guilloche techniques to possibly represent Greco-Roman times or Byzantian and Islamic story motifs.  Regardless, the scene represented uses both mythological and realistic subjects to create a compelling story upon the ewer.</text>
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                <text>http://museum.doaks.org/objects-1/info/35684</text>
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                <text>Dumbarton Oaks</text>
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                <text>ceramic ; 26cm </text>
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                  <text>In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium.</text>
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                <text>Fragment of a Hanging with Two Figures in Arcades&#13;
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                <text>This textile furnishing was found in Egypt in a burial context, alongside many other tapestry fragments. Originally used as a wall hanging, this piece was likely manufactured in a workshop where textiles of a similar nature were made. It was repurposed as a burial shroud after its initial construction. As there are two different colors in the warp (or weaving), this work demonstrates high-quality craftsmanship through its illusionistic play of light and shadow. The two figures are dressed in traditional Persian-style garments and the architecture shown in the piece acts as a frame for the two figures as they carry fruits and objects, personifying the earth and its abundance. There are many missing details due to time but there is evidence of ancient repair. &#13;
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                <text>Isabel Coopersmith </text>
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                <text>The Dumbarton Oaks Research Library and Collection </text>
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                <text>http://museum.doaks.org/objects-1/info?query=mfs%20any%20%22BZ.1970.43%22&amp;sort=9</text>
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                <text>Tapestry weave in polychrome wool; 42.5 cm x 635 cm</text>
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                  <text>In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium.</text>
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                <text>Sculpted Head of a Dionysiac Figure (Pan?)</text>
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                <text>Dionysus or Pan</text>
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                <text>This figural sculpture presented is possibly representative of two mythological Gods from the Greek antiquity, Dionysius or Pan.  Dionysius is known as the God of fertility and wildlife but also wine.  Pan is known as the God of flocks and pastures but has also been considered the God of all nature.  The sculpture here depicts a bearded male with narrow eyes, long nose, and thin lips making it hard to decipher who exactly this might be.  However, despite the confusion of who the subject may be, it is evident that this sculpture looks back to Greek mythology during the early Byzantine era.</text>
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                <text>Dumbarton Oaks</text>
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                <text>Late 4th – Early 5th Century </text>
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                <text>Austin Cooper</text>
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                <text>Dumbarton Oaks</text>
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                <text>Limestone; 15 cm x 8.5 cm x 10 cm </text>
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                <text>1930.10</text>
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        <src>https://byzantinephilly.lcdss.reclaim.hosting/files/original/b5cbeccc42256c5f62bc0bb13846fe06.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Household Items</text>
                </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In modern scholarship, historians have begun learning more about the daily life of the Byzantines. Emerging from the Pagan society of the Romans, Byzantium quickly turned to the a religion, Christianity. Many of the most brilliant examples of Byzantine culture are manifested as liturgical objects, or ecclesiastical architecture that has survived modern times. However, there is a much more intimate and personal side of history as well. Objects from the household provide insight into daily life of a Byzantine family. Homes in Byzantine were not only a place for resting one’s head; they were also for devoted members of society to continue their religious, personal, and artistic lives. Items as simple as jugs used for washing, or trunks that held valuables, carried icons from the Bible as decoration. Ornament and functional items often held a larger insight into the attitudes and artistic views of ordinary people in Byzantium.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="340">
                  <text>Emily Feyrer</text>
                </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Standing Warrior from a Rosette Casket</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Warrior</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This ivory fragment is thick and conical, due to the natural curve of the elephant tusk from which it is carved. The high relief creates extreme shadows and contrast between the warrior and the background. Although the ivory is worn, the warrior’s dignified pose is still very evident as he holds his spear and shield, as well the material’s natural sheen. The fragment we see is only a small part of a larger work known as a rosette casket – a highly decorative carved box used to secure household valuables – that would have been created exclusively by a skilled craftsman working on commission for a member of the upper-class.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="123">
                <text>The Dumbarton Oaks Research Library and Collection</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>10th century CE</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="125">
                <text>Hannah Mackey</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="126">
                <text>The Dumbarton Oaks Research Library and Collection</text>
              </elementText>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="127">
                <text>http://museum.doaks.org/objects-1/info/35737</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="128">
                <text>Ivory; 5 x 4.1 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Fragment from a rosette casket</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="130">
                <text>BZ.1952.11</text>
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      <tag tagId="11">
        <name>Ivory</name>
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